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	<title>Comments on: First speakers announced!</title>
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	<link>http://thestory.org.uk/2009/11/13/first-speakers-announced/</link>
	<description>A conference about Stories, London Feb 17th 2012</description>
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		<title>By: Naomi Alderman</title>
		<link>http://thestory.org.uk/2009/11/13/first-speakers-announced/#comment-41</link>
		<dc:creator><![CDATA[Naomi Alderman]]></dc:creator>
		<pubDate>Mon, 23 Nov 2009 16:07:24 +0000</pubDate>
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		<description><![CDATA[Hey - exciting! Would it be possible to post up the date and time when the next tranche will become available a few days in advance? I want to be sitting at my desk, mouse finger poised.]]></description>
		<content:encoded><![CDATA[<p>Hey &#8211; exciting! Would it be possible to post up the date and time when the next tranche will become available a few days in advance? I want to be sitting at my desk, mouse finger poised.</p>
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		<title>By: Will Pearson</title>
		<link>http://thestory.org.uk/2009/11/13/first-speakers-announced/#comment-37</link>
		<dc:creator><![CDATA[Will Pearson]]></dc:creator>
		<pubDate>Mon, 23 Nov 2009 14:11:43 +0000</pubDate>
		<guid isPermaLink="false">http://thestory.org.uk/?p=20#comment-37</guid>
		<description><![CDATA[Can I recommend Leslie Hill and Susan Paris, http://www.placelessness.com/ who produce intensely lyrical and poetic storytelling through site specific media arts and film? Their most recent project is stunning, a study of what are Gut Feelings- linking the feelings we get from story and narrative and dialogue with those &#039;second brain&#039; feelings we feel in the gut. Very touching, funny and throughtful, Leslie is a great speaker too.
Will]]></description>
		<content:encoded><![CDATA[<p>Can I recommend Leslie Hill and Susan Paris, <a href="http://www.placelessness.com/" rel="nofollow">http://www.placelessness.com/</a> who produce intensely lyrical and poetic storytelling through site specific media arts and film? Their most recent project is stunning, a study of what are Gut Feelings- linking the feelings we get from story and narrative and dialogue with those &#8216;second brain&#8217; feelings we feel in the gut. Very touching, funny and throughtful, Leslie is a great speaker too.<br />
Will</p>
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		<title>By: dreamfired</title>
		<link>http://thestory.org.uk/2009/11/13/first-speakers-announced/#comment-30</link>
		<dc:creator><![CDATA[dreamfired]]></dc:creator>
		<pubDate>Fri, 13 Nov 2009 20:09:16 +0000</pubDate>
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		<description><![CDATA[Hi - love the announcments so far.

I think in the context of modern discussions of interactive theatre, narrative online etc the really good oral storytellers, particularly those going for a certain style which aims to retrieve a model from the past (ie strong technical training but predominantly live composition, as with Ben Haggarty) are the left field. Or a left field anyway. So much of what we experience these days is coming from either a theatrical, literary or lately - &quot;get up and join in physically&quot; basis - that we have moved away from the imaginative exercise of listening to pure oral storytelling.

But for other ideas. I don&#039;t know how much flexibility you have with the building/rooms etc. Is there anyone out there working with building based narrative (a la Rennaissance Cathedrals). I&#039;ve been at a couple of conference with people building things out of cardboard - but nothing I&#039;d recommend as very strong in a narrative sense - maybe someone else has come across something else out there because it has to be possible.

Again dependant on space - are there small side rooms where instead of speakers you could look for curators. Short film; animation and digital storytelling (ask the guys at glamorgan for the last one) would be options for &quot;drop in&quot; and get a quick narrative hit - and in all three of those fields you&#039;d find both very traditional narrative styles and all sorts of unusual options - but I can&#039;t imagine you having time to chase &quot;wow&quot; recommendations for 10-20 of each of these - perhaps easier to find one person for each with a good eye.

Finally Luci-Gorrell Barnes has a very beautiful installation called the Book Shed. The experience has its own surreal narrative quality - and each participant also gets to experience a hand written/hand drawn narrative - in solitude or with one or two otherpeople. Possibly still a bit performance focused for what you want?
http://www.lucigorellbarnes.co.uk/bookshed.html]]></description>
		<content:encoded><![CDATA[<p>Hi &#8211; love the announcments so far.</p>
<p>I think in the context of modern discussions of interactive theatre, narrative online etc the really good oral storytellers, particularly those going for a certain style which aims to retrieve a model from the past (ie strong technical training but predominantly live composition, as with Ben Haggarty) are the left field. Or a left field anyway. So much of what we experience these days is coming from either a theatrical, literary or lately &#8211; &#8220;get up and join in physically&#8221; basis &#8211; that we have moved away from the imaginative exercise of listening to pure oral storytelling.</p>
<p>But for other ideas. I don&#8217;t know how much flexibility you have with the building/rooms etc. Is there anyone out there working with building based narrative (a la Rennaissance Cathedrals). I&#8217;ve been at a couple of conference with people building things out of cardboard &#8211; but nothing I&#8217;d recommend as very strong in a narrative sense &#8211; maybe someone else has come across something else out there because it has to be possible.</p>
<p>Again dependant on space &#8211; are there small side rooms where instead of speakers you could look for curators. Short film; animation and digital storytelling (ask the guys at glamorgan for the last one) would be options for &#8220;drop in&#8221; and get a quick narrative hit &#8211; and in all three of those fields you&#8217;d find both very traditional narrative styles and all sorts of unusual options &#8211; but I can&#8217;t imagine you having time to chase &#8220;wow&#8221; recommendations for 10-20 of each of these &#8211; perhaps easier to find one person for each with a good eye.</p>
<p>Finally Luci-Gorrell Barnes has a very beautiful installation called the Book Shed. The experience has its own surreal narrative quality &#8211; and each participant also gets to experience a hand written/hand drawn narrative &#8211; in solitude or with one or two otherpeople. Possibly still a bit performance focused for what you want?<br />
<a href="http://www.lucigorellbarnes.co.uk/bookshed.html" rel="nofollow">http://www.lucigorellbarnes.co.uk/bookshed.html</a></p>
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		<title>By: Mink</title>
		<link>http://thestory.org.uk/2009/11/13/first-speakers-announced/#comment-29</link>
		<dc:creator><![CDATA[Mink]]></dc:creator>
		<pubDate>Fri, 13 Nov 2009 13:37:23 +0000</pubDate>
		<guid isPermaLink="false">http://thestory.org.uk/?p=20#comment-29</guid>
		<description><![CDATA[&gt; Storytelling with/about objects would be interesting

I once heard Tony Dunne talk about how people made emotional connections to the inanimate objects in his Placebo project. It was as an aside from the main thrust of the project, but I remember being fascinated by the behaviours observed in the users and how they made stories for the Placebo objects they adopted.

http://www.dunneandraby.co.uk]]></description>
		<content:encoded><![CDATA[<p>&gt; Storytelling with/about objects would be interesting</p>
<p>I once heard Tony Dunne talk about how people made emotional connections to the inanimate objects in his Placebo project. It was as an aside from the main thrust of the project, but I remember being fascinated by the behaviours observed in the users and how they made stories for the Placebo objects they adopted.</p>
<p><a href="http://www.dunneandraby.co.uk" rel="nofollow">http://www.dunneandraby.co.uk</a></p>
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